* This is a written-up version of a talk I gave under the same title at the conference
“1948 and All That: Soviet Music, Ideology, Power”, convened by Pauline Fairclough
and Marina Frolova-Walker at Cambridge University’s Centre for Research in the Arts,
Social Sciences and Humanities (CRASSH) on 27-28 November 2009.
(2) In the Introduction to On Russian Music (Berkeley and Los Angeles: University of California Press, 2009), 4-5.